Filmmaker Magazine -
23 Jan 2023 21:00

Midnight Family, Luke Lorentzen’s debut feature, was adeptly shot in widescreen by the director/cinematographer/editor, as is follow-up A Still Small Voice, which represents the inverse of its predecessor in several ways. The Midnight Family were a clan of private ambulance drivers in Mexico City, filling in a public healthcare gap for profit, albeit not much of one--chasing patients for payment, eating junk food because that’s all they can afford to fuel shifts on the nocturnal streets of M...
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